Etna Regular Italic

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Type selection is key
Typography sets the tone before you say a word. It shapes how your message comes across — how it feels, how it’s read, and how it’s remembered.
We notice type most when it’s wrong. When something feels off. The spacing’s tight, the voice is too loud, or it just doesn’t match what’s being said. But when the type is right, it gets out of the way — and helps the words do their job. It can give structure to ideas. It makes space for meaning. Typography isn’t just about style. It’s about the way we take in information. It adds rhythm to the reading experience. It tells us where to look first and what matters most. It makes content easier to follow, and in some cases, easier to trust. The tone comes through in the details — the shape of the letters, how they’re spaced, the way one form leads to the next. Some typefaces feel quiet and careful. Others have energy. Some pull you in. Some stay out of the way. Choosing the right one is less about picking a look and more about finding a voice that fits what you want to say.That’s why trying type in context matters. It’s one thing to see a beautiful letter or a well-set specimen — but it’s another thing to see how it handles your content. How it behaves when it’s small. How it reads when it’s big. How it feels with your own words.That’s what this space is for. Try a headline. Paste a paragraph. Adjust the size, change the weight, type something unexpected. Some typefaces are built to be expressive. Others are made to stay flexible. The best ones hold up in all kinds of situations. They do the job without losing their character. Take a minute to experiment. You’ll know when it feels right.

About Etna Regular Italic

Regular Italic introduces a measured slant and a gentle rhythmic lift, softening Etna’s sturdy Victorian bones without losing their character. The forms feel conversational rather than theatrical, making this style especially useful where emphasis needs nuance instead of volume. Set beside the upright Regular, it creates a natural hierarchy in text—ideal for pull quotes, subheads, and moments of contrast within longer passages. Compared to the heavier italics, it’s lighter on its feet, carrying personality through movement rather than weight.

Language Support

Language Support

  • Catalan
  • Chinese Pinyin
  • Croatian
  • Czech
  • Danish
  • Dutch
  • English
  • Filipino
  • Finnish
  • French
  • Fula
  • German
  • Hungarian
  • Indonesian
  • Italian
  • Latvian
  • Malay
  • Maltese
  • Norwegian
  • Polish
  • Portuguese
  • Romanian
  • Slovak
  • Slovenian
  • Spanish
  • Swedish
  • Turkish
  • Vietnamese

Features

OpenType Features

  • Common Ligatures
  • Fractions
  • Lining Numerals
  • Old Style Numerals
  • Ordinal Numerals
  • Proportional Numerals
  • Small Capitals
  • Small Capitals for Capitals
  • Stylistic Alternates
  • Stylistic Sets
  • Subscript
  • Superscript
  • Tabular Numerals

Etna Character Set

latin capital letter a U+0041
A

Uppercase Letter Latin

Uppercase Letter Greek

Lowercase Letter Latin

Lowercase Letter

Lowercase Letter Greek

Modifier Letter

Other Letter Latin

Nonspacing Mark Inherited

Decimal Number

Other Number

Connector Punctuation

Dash Punctuation

Close Punctuation

Final Punctuation

Initial Punctuation

Other Punctuation

Open Punctuation

Currency Symbol

Modifier Symbol

Math Symbol

Other Symbol

Ligatures

Stylistic Alternates

Stylistic Set 1

Stylistic Set 3

Stylistic Set 4

Stylistic Set 5

Stylistic Set 6

Fractions

Oldstyle Figures

Tabular Figures

Ordinals

Scientific Inferiors

Superscript

Subscript

Numerators

Denominators

Small Capitals

Small Capitals from Capitals

Case-Sensitive Forms