Coquette Thin

Buy Coquette
Type selection is key
Typography sets the tone before you say a word. It shapes how your message comes across — how it feels, how it’s read, and how it’s remembered.
We notice type most when it’s wrong. When something feels off. The spacing’s tight, the voice is too loud, or it just doesn’t match what’s being said. But when the type is right, it gets out of the way — and helps the words do their job. It can give structure to ideas. It makes space for meaning. Typography isn’t just about style. It’s about the way we take in information. It adds rhythm to the reading experience. It tells us where to look first and what matters most. It makes content easier to follow, and in some cases, easier to trust. The tone comes through in the details — the shape of the letters, how they’re spaced, the way one form leads to the next. Some typefaces feel quiet and careful. Others have energy. Some pull you in. Some stay out of the way. Choosing the right one is less about picking a look and more about finding a voice that fits what you want to say.That’s why trying type in context matters. It’s one thing to see a beautiful letter or a well-set specimen — but it’s another thing to see how it handles your content. How it behaves when it’s small. How it reads when it’s big. How it feels with your own words.That’s what this space is for. Try a headline. Paste a paragraph. Adjust the size, change the weight, type something unexpected. Some typefaces are built to be expressive. Others are made to stay flexible. The best ones hold up in all kinds of situations. They do the job without losing their character. Take a minute to experiment. You’ll know when it feels right.

About Coquette Thin

Coquette Thin is a part of the Coquette font family. It includes OpenType features such as stylistic alternates, stylistic sets, and several more. Coquette Thin is ideal for branding, greeting, and logo usage.

Coquette (2001, 2017) is an unconnected upright script, a sort of hybrid between French scripts, such as Typo Upright, and 1930s-era geometric sans serifs, such as Kabel. The idea for this typeface came to me in the early ’90s while I was designing a logo. It took me several tries over several years to get it to look the way I wanted it to, a process that taught me a lot about type design and drawing letters. Since its release, it’s become one of my more popular fonts, which is very gratifying since it’s my favorite of all the fonts I’ve designed. In 2017, I expanded the original three weights (Light, Regular, and Bold) to six with the addition of Thin, Extrabold, and Black. I also added several alternate characters (lowercase b, o, s, and ampersand) as well as arbitrary fractions, superscript, a full set of f-ligatures, and a bunch of math characters which were not included in earlier versions.

Language Support

Language Support

  • Catalan
  • Croatian
  • Czech
  • Danish
  • Dutch
  • English
  • Filipino
  • Finnish
  • French
  • Fula
  • German
  • Hungarian
  • Indonesian
  • Italian
  • Latvian
  • Malay
  • Maltese
  • Norwegian
  • Polish
  • Portuguese
  • Romanian
  • Slovak
  • Slovenian
  • Spanish
  • Swedish
  • Turkish

Features

OpenType Features

  • Common Ligatures
  • Fractions
  • Stylistic Alternates
  • Stylistic Sets
  • Superscript