Type selection is key
Typography sets the tone before you say a word. It shapes how your message comes across — how it feels, how it’s read, and how it’s remembered.
We notice type most when it’s wrong. When something feels off. The spacing’s tight, the voice is too loud, or it just doesn’t match what’s being said. But when the type is right, it gets out of the way — and helps the words do their job. It can give structure to ideas. It makes space for meaning. Typography isn’t just about style. It’s about the way we take in information. It adds rhythm to the reading experience. It tells us where to look first and what matters most. It makes content easier to follow, and in some cases, easier to trust. The tone comes through in the details — the shape of the letters, how they’re spaced, the way one form leads to the next. Some typefaces feel quiet and careful. Others have energy. Some pull you in. Some stay out of the way. Choosing the right one is less about picking a look and more about finding a voice that fits what you want to say.That’s why trying type in context matters. It’s one thing to see a beautiful letter or a well-set specimen — but it’s another thing to see how it handles your content. How it behaves when it’s small. How it reads when it’s big. How it feels with your own words.That’s what this space is for. Try a headline. Paste a paragraph. Adjust the size, change the weight, type something unexpected. Some typefaces are built to be expressive. Others are made to stay flexible. The best ones hold up in all kinds of situations. They do the job without losing their character. Take a minute to experiment. You’ll know when it feels right.
About Proxima Nova Hangeul Light
Light introduces a softer, more spacious voice to Proxima Nova Hangeul. Strokes ease back just enough to create a calm, breathable texture, allowing both Hangul and Latin to sit comfortably in longer passages. Compared to the Regular and Medium weights, it feels more open and understated, making hierarchy effortless when paired with heavier cuts for emphasis. The result is a clear, modern tone that works beautifully in interface typography, cultural publications, and brand systems that rely on nuance rather than volume.
Language Support
Language Support
- Catalan
- Croatian
- Czech
- Danish
- Dutch
- English
- Filipino
- Finnish
- French
- Fula
- German
- Hungarian
- Indonesian
- Italian
- Korean
- Latvian
- Malay
- Maltese
- Norwegian
- Polish
- Portuguese
- Romanian
- Slovak
- Slovenian
- Spanish
- Swedish
- Turkish
- Vietnamese
Features
OpenType Features
- Common Ligatures
- Discretionary Ligatures
- Fractions
- Lining Numerals
- Old Style Numerals
- Ordinal Numerals
- Proportional Numerals
- Slashed Zero
- Small Capitals
- Small Capitals for Capitals
- Stylistic Alternates
- Stylistic Sets
- Subscript
- Superscript
- Tabular Numerals
- Vertical Alternates
Proxima Nova Hangeul Character Set
latin capital letter a U+0041
A